A few sketches from today's 26th Worldwide SketchCrawl ... click the images for large size.Friendship Square

Hodgins Drugstore

Sister's Brew Coffeeshop
Just a very quick sketch of the Third-Year Architecture Studio at the University of Idaho. My students are working on developing structural ideas for an Aquatic Center project, and while they're cranking out some drawings, I thought I might crank out a drawing. The space was just re-painted over the holiday break, and it's now very very beige. It should only be a small matter of time before they start adding graffiti and posters and what not. But for now it's beige. To paraphrase from Spinal Tap, "How much more beige can it be? And the answer is ... none ... none more beige."
I finally got into the habit of attending a weekly figure drawing session during the past few months, and decided to upload some of my efforts. (More examples are on my Flickr page. UPDATE: Flickr made me mark these as "restricted" - apparently a few were a bit too anatomically correct. sheeesh.) It takes more discipline than I usually have to make it to the sessions, especially because they take place on Saturday afternoons, when I'm ordinarily puttering around the house trying to avoid doing anything productive. But figure drawing is so worthwhile. It's easily the most challenging subject matter I've ever tried to draw, and it forces me to see light and form in a more subtle way than I do when sketching architecture. The sessions are on hiatus until mid-February, and I'm already eager to get back into it. In the meantime, I'm trying to study the subject a bit more ... I picked up "Figure Drawing" by Nathan Goldstein in a used bookstore last week, and I look forward to applying some of his teaching. At the same time, one of the things I enjoy about figure drawing is learning to simply trust my eyes, rather than over-analyze the human figure or try to become an expert on anatomy.
It doesn't feel much like winter, so I rode the scooter down to the coffeeshop to do a little work. Sisters' Brew has become one of my favorite places to hang out - not that there are very many places to hang out in this little town. It's warm and cozy and the coffee is top-notch. And it's been a little while since I actually took some time to do some drawing just for the fun of it.
I neglected to post about this before the holidays, but I have several sketches in our annual College of Art & Architecture Faculty Exhibit, which runs from December 11 through January 17 in the Prichard Art Gallery here in Moscow, ID. It's always a fun exhibit, with a wide variety of work, and I'm always very happy and honored to contribute. Unfortunately, I didn't have my camera with me at the opening reception ... it would have been nice to get a shot or two with the gallery full of people.

It was a small turnout today, and it was cold - but sunny! - so here are my efforts.
Started at Sister's Brew and drew some folks enjoying a mellow Saturday morning in a very warm, cozy space. I really like this wine-colored Copic Multiliner ... might need to buy a fresh one soon.
From the same spot, near the windows, I did this sketch looking across Main Street. Wells Fargo, our bank, is on the left and The Red Door, one the very few decent restaurants in town, is on the right. This was the final sketch in my first Moleskine sketchbook ... it felt good to finish that one.
I broke in a new Moleskine pocket watercolor book for this sketch, of an alley off First Street. It was a nice view, with clear contrasts and a nice perspective, but my hands were freezing by the time I finished up.
So I retreated to the Moscow Bagel place for a sausage/egg/cheese bagel, and managed this quick watercolor. It was a nice morning of sketching, followed by a 2-hour figure drawing session in the afternoon. After all the work I've had to deal with in the past several weeks, it felt good to simply draw today. Now it's time to surf the SketchCrawl forum and see the other sketching that happened today all around the planet.


This second sketch was done at the Art Institute, where Caravaggio's "Supper at Emmaus" is on loan from the National Gallery in London (info here, and a nice image here). Aside from seeing so many old friends, and visiting with some of my family, this was the major highlight of the weekend for me. I've loved Caravaggio's paintings for many years, and this was my first look at one of his most interesting works, which marks a sort of bridge between the early and middle segments of his career. Sketching this painting, while sitting on a bench in the gallery, was really a lot of fun and gave me the chance to patiently study an astounding work of art. I had originally intended to draw more of the room/people surrounding the painting, but I'm glad I left that stuff alone ... I like the way the surroundings are ghosted-in, almost as if the scene inside the painting is more 'real' than the space of the viewer, almost like looking through a window. This might actually contradict some of Caravaggio's intentions ... but I think it works in this sketch.
The final sketch of this group was made the day after I was scheduled to arrive home. Due to another delayed flight (two, actually), and a resulting missed connection, I was stuck overnight in Salt Lake City. The final flight was only an hour long, and while it started out smooth, it was very bumpy by the time I finished this sketch. This is the Copic 'Wine' color I mentioned already ... I like it a lot against the yellowish paper in the moleskine, and I like the multiliners because they just never seem to dry out. So while this was not the kind of trip where I was able to sketch very much, these three quick drawings hit the spot for me.
