Christmas at the Old Home Place

Merry Christmas everyone! We're at my folks' place outside Chicago, where I lived from the time I was 10 years old until I flew the coop after college. It's nice to be back, visiting with family, eating entirely too much, and not having much of anything to do. Though I'm not feeling particularly inspired to draw, I enjoyed doing this quick sketch of my Mom, who is almost constantly busy in the kitchen. It's obviously where she's most comfortable, with kids and grandkids coming and going, stopping to chat or grab a bite to eat. It's where I've had some of my best talks with her, sitting on the other side of the counter, just shooting the shit. Maybe this sketch will get me going, and I'll do more while I'm here. Or maybe not. It's very refreshing, all this sitting around in between indulgent meals. Perhaps I'll just enjoy it for a few days.

Faculty Exhibit 2010

This past Friday was the opening of the College of Art and Architecture Faculty Exhibit at the Prichard Gallery, which I've blogged about previously. As has been my custom, I'm showing sketches from the past summer in Italy. Links to what's on display:

Davide, Borghese Gallery, Roma

Forum, Paestum 

Via delle Vacche, Roma

Case Giardino, Ostia Antica 

Temple of Neptune, Paestum

Via San Rufino, Assisi

Piazza San Pietro, Roma

Fontana di Trevi, Roma

Via della Scala, Roma

Piazza di Sant' Ignazio, Roma 

In addition to the Italy sketches, I'm also showing the sketchbook from the 1st International Urban Sketchers Symposium, held in Portland this past July. I finished this book in early October (see the previous post), and examples of sketches can be seen here, here, here, and here.

The exhibit will be up until February, in case you're planning a visit to Moscow in the near future!

Return to Portland

Every time I visit this city, I like it a little more. Part of that is my growing familiarity with the place, and the accumulating experiences I've had with students, other sketchers, etc. But the physical space of the city is really growing on me - the small blocks (200' x 200') make it seem like a big US city that has been scaled-down just enough to favor the pedestrian, and enough to let in a lot of sunlight (when the sun is shining, anyway). I spent the weekend here with my third-year studio group, and also met up with a contingent of Portland Urban Sketchers like Alanna Randall and Kalina Wilson for a short sketchcrawl on Saturday. That's when I did this sketch of the Steel Bridge. I had seen several folks from the Symposium who drew this subject, and I had been meaning to take a stab at it ... and I also wanted to finish off at least half of the accordion Moleskine we all got at the symposium in July. More sketches from my weekend in Portland are on my Flickr page.

Sketching with Students

It was a nice afternoon here in Moscow, so I took my design studio group out for a little sketching. We were trying to focus on recording scenes and orthogonal sketches of architectural elements relevant to the project they're working on - Courtyard Housing. The project site is in Portland, and we're heading there for a field trip next week, so this was also an opportunity to get in a little location sketching practice before we go. I was using a new fountain pen (a gift from my wife on our 15th Anniversary yesterday!). I like the pen, though I had a little trouble with the water-soluble ink. Probably going to refill it with Noodler's Lexington Gray when I get a chance.  

"Three Days of Peace & Sketching"

Like a lot of people who were in attendance, I'm still smiling ear-to-ear after the Symposium. I knew it was going to be a great event, but I had no idea how great. Before I left for Portland, I had been following people's posts documenting their journeys from far and wide. I jokingly said to my wife, Patty, that it felt like the "Woodstock of Sketching" was about to happen. It was tongue-in-cheek when I said it, but I guess there was a grain of truth as well. And as Lapin was sitting beside me at dinner the final evening, drawing the phrase in his sketchbook, I couldn't stop chuckling about what a fantastic three days we'd all shared. It was refreshing and motivating to be around so many people who are passionate about sketching the world around them. I'm only sorry it didn't go on longer, and that I didn't have time to get to know even more fellow sketchers. I guess that's why I'm going to find a way to get to Lisbon for the next one!


This spread is from the Urban Sketcher's Moleskine. I had never tried this Japanese/Accordion format, and I wasn't crazy about the paper ... but in the spirit of trying new things, I gave it a shot and really enjoyed it. No watercolor, but I was in a pencil/pen mood anyway (almost all of my other sketches from the weekend were pencil). I even tried to blend a couple sketches, which is not something I do very often. But seeing other sketchers use this approach, I just had to give it a try - where the Clyde Common sketch sort of connects to the Freemont Bridge. It's not much, but it's a start!  

A big THANK YOU to everyone at the Symposium for making it such a wonderful experience. Thanks to Patrick and Kurt and everyone at PNCA - excellent venue and organization! Special thanks to the other presenters/instructors and fellow USK Correspondents - your work is inspiring, and your friendship is cherished. And extra-special thanks to Gabi, who really made everything come together and never appeared to break a sweat!

See you in Lisbon!

Final Rome Sketches for the Year

One more post of Rome sketches, from the last few days we were there. The first is the view from our studio, looking out into Piazza Santa Maria in Trastevere. This space, like most Roman piazze, changes its character throughout the day. When the sun is beating down, it can be very quiet. Only the sweaty tourists plod through looking for some shade. But in the evening, the piazza comes alive with all types of people, and the street entertainers begin their shows. By morning, it's back to a peaceful, pleasant space ... that's when I did this drawing.

Next up is the funerary monument designed by Gianlorenzo Bernini in 1643, for the Dominican nun named Maria Raggi. I started this sketch one morning, and didn't get very far before I was forced to quit, as there was a funeral just beginning in the church of Santa Maria sopra Minerva. So I returned a few days before we left Rome to finish. The monument is attached to a column, but I left that out in favor of the monument itself.

The final two sketches are views of the street where we lived last year and this year (and perhaps again next year). The plan of the apartment, and a view of the front door, are here. It's a quiet street amid some very noisy streets in Trastevere, and I had been meaning to draw these views all summer. I finally got the chance, and the second sketch was the last page in my first Moleskine watercolor sketchbook, so it felt like a fitting end to the summer.

Leaving Rome

We head back to the states tomorrow morning, so this is one final post from Rome until next year. Certainly sad to be leaving, but the heat here during the past couple weeks has made it difficult to stay motivated for touring or sketching. I'm ready to get back to the cool nighttime temperatures of northern Idaho. It's been a fantastic summer, with a great group of students. I felt busier than I did last year for a variety of reasons, and I don't feel like I sketched as much as I would have liked. But I did accomplish quite a lot, so no complaints. Here are a few that I hadn't posted yet ... I may do another post in the next week with some other odds and ends. And then it's off to Portland for the Urban Sketchers Symposium! Can't believe that is coming up so fast, I'm really looking forward to seeing so many folks there.

More from the Moleskine

I keep finding myself in places where the subject for a sketch is clearly calling for a vertical approach. It's a little cumbersome to work with the Moleskine watercolor sketchbook in these situations, but I do love the paper. And perhaps I should push things even further in the vertical direction, like Matthew Cencich does here (great sketch!). I've got some more catching up to do, so here's a small collection from the past week. The first sketch here is from the Eremo delle Carceri outside Assisi. It's the hermitage where St. Francis used to hang out with his buddies and reconnect with nature. Beautiful spot ... my son Will and I walked up there from town - about 350 meters vertical over 4 kilometers of distance - and were rewarded by the beauty and cool temperatures of the small mountain valley. It's no wonder this was a place favored by St. Francis. 

The next sketch is from Perugia, at the cloister adjacent to San Domenico, which now houses the major archaeological museum of Umbria. This was a very quick drawing, done directly in watercolor.

This sketch is another one from Assisi, of the inside of the Porta San Giacomo ... I had intended to do a drawing of the facade of San Francesco, but was distracted by the sun in this quiet, sloping little street.

And finally, this was a watercolor I did just yesterday while I was out for sketching class with my students here in Rome. San Silvestro in Capite has a lovely small courtyard in front, dominated by the 12th century bell tower and a later facade. But my favorite aspects of this place are the building surrounding the space and the well-cared-for plants that help to make the space feel just a bit cooler on very hot days. And yesterday was very hot ... after enjoying spring-like weather from mid-May through almost the end of June, it seems as if the real heat of the summer has set in. Everyone is moving more slowly, and the demographics of our neighborhood have made a distinct change as Italians start heading for the sea and the tourists begin to take over in more evident fashion. Just two more weeks here, and then it's back to Moscow. A little more than a week after that, and I'll be in Portland for the Urban Sketcher's Symposium!

Still Trying to Catch Up ...

More sketches from the backlog I've developed in the past few weeks ... This time it's a few watercolors from various places. Sketching small, in something like a 5" x 8" Moleskine watercolor sketchbook, is certainly enjoyable. And keeping things small usually means keeping things quick and loose, which definitely has its advantages when sketching on location. But to really get into sketching with watercolor I feel like I need more space on the page, and it's easier to work on a 9" x 12" pad or block instead of in a book. Using a larger, better brush is also a nice change of pace from the waterbrush I typically use for small subjects. Waterbrushes are fantastic for the small stuff, but there's nothing like a good sable #6 to get the water and pigment flowing. This first sketch is in the center of Rome, the Via delle Vacche, just off of Piazza del Fico. This was done just after finishing my sketching colurse with students for the morning ... one of my favorite times to draw on my own is immediately after teaching people about drawing!

The second sketch is from Ostia Antica, the ancient port city of Rome. Like the first sketch in this post, I had just finished up with my students and had found a nice shady, quiet spot to settle in and paint. This is the "Case del Giardino" ... i.e., garden apartments.

This one is from Paestum, a Greco-Roman settlement south of Salerno, along the coast. It was founded in the 4th/5th Century BC, and is one of my favorite places to visit ... amazing ruins in an equally amazing landscape. This is the lone intact column around the ancient Forum. I got a little bit lost in the act of painting and paid for it with a painful sunburn on the right side of my neck.

The last of this little collection is from Piazza Umberto I in Atrani. I started this one in the upper-left, and was having fun with the landscape with the little monastery on the cliff ... but I have to admit I got a little lazy toward the end, and sort of gave up toward the bottom. My patience has its limits, I suppose. So perhaps it's back to the small-scale stuff for a while.

Galleria Borghese

I don't think I could say it better than Gabi Campanario did in his post on Urban Sketchers, so I'll just quote him: "I can't think of a better way to experience a museum visit than drawing whatever is on display. You're much more likely to remember what you learned if you sketched it." Ordinarily, I'm too much in awe to sketch when I visit the Galleria Borghese here in Rome, but since I've been doing more figure drawing lately I figured it was worth a try.

The Galleria Borghese was created by Scipione Borghese in the early 1600s. His uncle, Camillo, became Pope Paul V in 1605, and Scipione was elevated to Cardinal the same year. He was an avid art collector, and this gallery was his personal treasure trove for ancient sculpture and the contemporary works of his day. Scipione Borghese was Gian Lorenzo Bernini's first major patron, and the gallery houses some of his most impressive early works, including Aeneas and Anchises, Pluto and Proserpina, Apollo and Daphne ... 

... and also his version of David, which is likely a self-portrait of the artist and which shows the protagonist in the moment before he slings the stone to kill Goliath. This last sculpture is the one I decided to draw on this visit. Since you are only allowed into the museum in 2-hour shifts, your time there needs to be focused ... so I did my best to move through the picture galleries and made brief visits with the other Bernini sculptures before settling in and drawing for about 45 minutes. When I take on subjects like this, I'm not always happy with the results, but I was very happy about this one. I'm already looking forward to going back at some point to try other sculptures, or perhaps this one again from a different angle.